Verna Fields Net Worth
Daniel Davis
Updated on January 12, 2026
Verna Fields net worth is
$1.3 Million
Verna Fields Wiki: Salary, Married, Wedding, Spouse, Family
Verna Fields (née Hellman, 21 March 1918 – 30 November 1982) was an American film editor, film and television sound editor, educator, and entertainment industry executive. In the first phase of her career, from 1954 through to about 1970, Fields mostly worked on smaller projects that gained little recognition. She was the sound editor for several television shows in the 1950s. She worked on independent films (including The Savage Eye (1959)), on government-supported documentaries of the 1960s, and on some minor studio films such as Peter Bogdanovich's first film, Targets (1968). For several years in the late 1960s, she was a film instructor at the University of Southern California. Her one major studio film, El Cid, led to her only industry recognition in this phase of her career, which was the 1962 Golden Reel award for sound editing.Fields came into prominence as a film editor and industry executive during the 'New Hollywood' era (1968–1982). She had established close ties with the directors Peter Bogdanovich, George Lucas, and Steven Spielberg early in their careers, and became known as their "mother cutter"; the term "cutter" is an informal variation of "film editor". The critical and commercial success of the films What's Up, Doc? (1972), American Graffiti (1973), and Jaws (1975) brought Fields a level of recognition that appears to be unique among film editors. Jaws in particular was enormously and unexpectedly profitable, and ushered in the era of the "summer blockbuster" film. Fields' contributions to this success were widely acknowledged. She received an Academy Award and an American Cinema Editors Award for best editing for the film. Within a year of the film's release, she had been appointed as Vice-President for Feature Production at Universal Studios. She was thus among the first women to enter upper-level management in the entertainment industry. Her career as an executive at Universal continued until her death in 1982 at age 64. | Net Worth | $1.3 Million |
| Date Of Birth | March 21, 1918 |
| Died | 1982-11-30 |
| Place Of Birth | St. Louis, Missouri, USA |
| Profession | Sound Department, Editor, Editorial Department |
| Spouse | Sam Fields |
| Nicknames | Verna Fields, Fields, Verna |
| Star Sign | Aries |
| # | Fact |
|---|---|
| 1 | In the mid-1960's, she taught film editing at the University of Southern California. The USC was her alma mater from which she had graduated with a BA in journalism. |
| 2 | Was Feature Production Vice-President of Universal from 1976 until her death in 1982. |
| 3 | Daughter of Sam Hellman |
| 4 | Mother of Rick Fields. |
| 5 | She was affectionately named "Mother Cutter" by the Jaws crew because of her ability to cut film & the way she took care of the crew. |
| 6 | Sister-in-law of Arthur Morton. |
| 7 | She was such a brilliant editor that she was actually promoted to a studio executive at Universal. Among her many accomplishments she is credited with introducing two young directors to each other while at Universal: George Lucas and Steven Spielberg. |
Sound Department
| Title | Year | Status | Character |
|---|---|---|---|
| Pickup on 101 | 1972 | sound editor | |
| Targets | 1968 | sound editor | |
| Face in the Rain | 1963 | sound editor | |
| The Balcony | 1963 | sound editor | |
| Ring of Terror | 1962 | sound editor - uncredited | |
| Story Of... | 1962 | TV Series documentary sound effects editor - 1 episode | |
| El Cid | 1961 | sound editor | |
| Wanted: Dead or Alive | 1960-1961 | TV Series sound effects - 25 episodes | |
| The Savage Eye | 1960 | sound editor | |
| Death Valley Days | TV Series sound effects editor - 44 episodes, 1956 - 1958 sound effects - 1 episode, 1959 | ||
| Sky King | TV Series sound effects - 38 episodes, 1956 - 1959 sound effects editor - 4 episodes, 1956 | ||
| How to Make a Monster | 1958 | sound effects editor | |
| Snowfire | 1958 | sound effects editor | |
| Fury | 1957 | TV Series sound editor - 3 episodes | |
| Black Patch | 1957 | sound editor - as Verna H. Fields | |
| Crime of Passion | 1957 | sound effects editor | |
| Dance with Me, Henry | 1956 | sound effects editor | |
| While the City Sleeps | 1956 | sound editor |
Editor
| Title | Year | Status | Character |
|---|---|---|---|
| Jaws | 1975 | film editor | |
| Daisy Miller | 1974 | ||
| Memory of Us | 1974 | ||
| The Sugarland Express | 1974 | film editor | |
| Sing a Country Song | 1973 | ||
| American Graffiti | 1973 | ||
| Paper Moon | 1973 | ||
| What's Up, Doc? | 1972 | ||
| Medium Cool | 1969 | ||
| The Search for the Evil One | 1969 | ||
| Walt Disney's Wonderful World of Color | 1968 | TV Series 1 episode | |
| The Wild Racers | 1968 | ||
| Journey to the Pacific | 1968 | Documentary | |
| Track of Thunder | 1967 | ||
| The Legend of the Boy and the Eagle | 1967 | ||
| Country Boy | 1966 | ||
| Deathwatch | 1966 | ||
| An Affair of the Skin | 1963 | ||
| Studs Lonigan | 1960 |
Editorial Department
| Title | Year | Status | Character |
|---|---|---|---|
| Point of Terror | 1971 | supervising editor | |
| Incubus | 1966 | editor - color footage, uncredited |
Assistant Director
| Title | Year | Status | Character |
|---|---|---|---|
| Jaws | 1975 | second unit director - uncredited |
Self
| Title | Year | Status | Character |
|---|---|---|---|
| TVTV Looks at the Academy Awards | 1976 | TV Special documentary | Herself |
| The 48th Annual Academy Awards | 1976 | TV Special | Herself - Winner: Best Film Editing |
Archive Footage
Won Awards
| Year | Award | Ceremony | Nomination | Movie |
|---|---|---|---|---|
| 1981 | Crystal Award | Women in Film Crystal Awards | ||
| 1976 | Oscar | Academy Awards, USA | Best Film Editing | Jaws (1975) |
| 1976 | Eddie | American Cinema Editors, USA | Best Edited Feature Film | Jaws (1975) |
Nominated Awards
| Year | Award | Ceremony | Nomination | Movie |
|---|---|---|---|---|
| 1976 | BAFTA Film Award | BAFTA Awards | Best Film Editing | Jaws (1975) |
| 1974 | Oscar | Academy Awards, USA | Best Film Editing | American Graffiti (1973) |
Known for movies
El Cid (1961)
as Sound Department
Death Valley Days (1956-1959)
as Sound Department
Sky King (1956-1959)
as Sound Department
Targets (1968)
as Sound Department